Public Art at Main Street Garden Park:

SPRING Lights Change to SUMMER

SpectraScape, the public art installation comprised of video bands of light that scroll across the green glass shelters at Main Street Garden Park will shift from the spring colors – hot pinks and white – to summer soft pink, lavender and yellows – on June 21, as the Summer Soltice transpires. On Tuesday evening viewers will see a dynamic media transmission echoing the summer landscape of the garden park.

Preliminary Video Color

DESIGN PROCESS: Preliminary Spring to Summer colors.

Here, a silent film of the design and construction process:  SpectraScape – an Interactive Artwork Under Construction.  The project progressed from construction to video and seasonal programming, shown in this short video: SpectraScape – On-site Programming. In the end, a crowded and joyful opening event included my talk on Dallas Main Street Garden Park – Ribbon Cutting.

Video Color Refinements

DESIGN PROCESS: Spring to Summer color refinements. Final video pixel proportions and color distinctions

SpectraScape, inspired by the colors of the seasonal foliage in Main Street Garden Park, interacts with park visitors when they enter the green glass shelters.  The horizontal scroll of color freezes as interior lights illuminate the shelter space when visitors step in.

The presentation of Spring in SpectraScape is best viewed just after dusk, which is clearly identified by the white color bands that identify the 30 minutes of sunset before resuming with the seasonal rhythmic flash of color that races across the top of the shelter.  This work inhabits the City’s first urban park landscape in central Dallas, Main Street Garden Park located between Commerce and Main and St. Paul and Harwood streets.

Leni Schwendinger

With over twenty years of work as both lighting designer and public artist, Leni has developed her lighting philosophy and in doing so, has refined the possibilities for light in the urban environment.  She has been the recipient of numerous professional awards, including several “Lumen” awards from the Illuminating Engineering Society, the Society for Environmental Graphic Design and the NYFA Fellowship for emerging and media art.

The City of Dallas Office of Cultural Affairs (OCA) works to enhance the vitality of the City and the quality of life for all Dallas citizens by creating an environment wherein arts and cultural organizations can thrive so that people of all ages can enjoy opportunities for creative expressions and the celebration of our community’s multicultural heritage. Our mission is to establish a cultural system that ensures that ALL Dallas citizens and visitors have an opportunity to experience the finest in arts and culture.  More information on the programs and services provided by the OCA can be found at www.dallasculture.org.

Links to other media about SpectraScape and the design process at Dallas Main Street Garden Park

Leni Schwendinger Public Art: SpectraScape, Dallas

SpectraScape, the Public Art installation comprised of video bands of light that scroll across the green glass shelters at Main Street Garden Park will shift from the fall  colors – rust and green – to winter on December 21, as the Autumnal Equinox transpires. On Tuesday evening viewers will see green and white tones of light that celebrate the sparse landscape of the garden park proclaiming the start of winter.

SpectraScape, inspired by the colors of the seasonal foliage in Main Street Garden Park, interacts with park visitors when they enter the green glass shelters.  The horizontal scroll of color freezes as interior lights illuminate the shelter space when visitors step in.

The presentation of Winter in SpectraScape is best viewed just after dusk, which is clearly identified by the white color bands that identify the 30 minutes of sunset before resuming with the seasonal rhythmic flash of color that races across the top of the shelter.  This work inhabits the City’s first urban park landscape in central Dallas, Main Street Garden Park located between Commerce and Main and St. Paul and Harwood streets.

Here is a silent movie link shot in 2009: SpectraScape – On-site Programming.

CultureNow is focused on cultural mapping and exhibitions about New York City. They called the other day and asked if I would talk about my work for their “Museum Without Walls” directory of podcasts.  The collection consists of first person discussions of art, architecture and other landmarks in the City.

Here are links to the podcasts:

Tidal Radiance

Tidal Radiance sculpture at Port Pavilion at Broadway Pier

Tidal Radiance, concept, custom glass, lighting design, projections

Coney Island Parachute Jump

Coney Island Parachute Jump Illumination

Coney Island Parachute Jump Illumination

Triple Bridge Gateway

Triple Bridge Gateway, Manhattan

Triple Bridge Gateway; concept, color, illumination

Dreaming in Color,

a Three-Dimensional Color Field

Dreaming in Color

Dreaming in Color, concept, materials, illumination

PUBLIC ART AT MAIN STREET GARDEN PARK

WINTER LIGHTS CHANGE TO SPRING


SpectraScape, the Public Art installation comprised of video bands of light that scroll across the green glass shelters at Main Street Garden Park will shift from the winter colors – green and white – to spring on March 20, as the Vernal Equinox transpires. On Saturday evening viewers will see pink tones of light that celebrate the spring landscape of the garden park proclaiming the end of winter.

SpectraScape, inspired by the colors of the seasonal foliage in Main Street Garden Park, interacts with park visitors when they enter the green glass shelters.  The horizontal scroll of color freezes as interior lights illuminate the shelter space when visitors step in.

The presentation of Spring in SpectraScape is best viewed just after dusk, which is clearly identified by the white color bands that identify the 30 minutes of sunset before resuming with the seasonal rhythmic flash of color that races across the top of the shelter.  This work inhabits the City’s first urban park landscape in central Dallas, Main Street Garden Park located between Commerce and Main and St. Paul and Harwood streets.

Leni Schwendinger

With over twenty years of work as both lighting designer and public artist, Leni has developed her lighting philosophy and in doing so, has refined the possibilities for light in the urban environment.  She has been the recipient of numerous professional awards, including several “Lumen” awards from the Illuminating Engineering Society, the Society for Environmental Graphic Design and the NYFA Fellowship for emerging and media art.

The City of Dallas Office of Cultural Affairs (OCA) works to enhance the vitality of the City and the quality of life for all Dallas citizens by creating an environment wherein arts and cultural organizations can thrive so that people of all ages can enjoy opportunities for creative expressions and the celebration of our community’s multicultural heritage. Our mission is to establish a cultural system that ensures that ALL Dallas citizens and visitors have an opportunity to experience the finest in arts and culture. The OCA is advised by an 18-member Cultural Affairs Commission appointed by the Dallas City Council. The OCA manages the city’s Cultural Contracts, Neighborhood Touring and Public Art Programs; oversees six cultural centers including the Bath House Cultural Center, Latino Cultural Center, Morton H. Meyerson Symphony Center, Oak Cliff Cultural Center (opening in 2010), and South Dallas Cultural Center; and operates the city’s classical music radio station, WRR101.1FM. More information on the programs and services provided by the OCA can be found at www.dallasculture.org.

Links to media about SpectraScape and the design process at Dallas Main Street Garden Park

The past two months have been hectic, filled with travel, talks, awards, movies and a steady flow of work at Light Projects.

It seems like an annual sequence of visits to Copenhagen Center of Lys Mexico and Scandinavia has been established.  My entry on the October 15th CIHAC Sustainable Lighting conference in Mexico City can be found here.  Left, November 5th, on stage in Copenhagen, Center for Lys. A larger collection of this city’s images and movies to be posted soon.

After that it was a whirlwind tour – On November 13th to Dallas for the Main Street Garden Park ribbon cutting – here is a tiny movie that sums up the project on the new Light Projects’ YouTube channel.

From Dallas it was a short trip, on the 14th to Louisville to meet new Light Projects collaborators, CARMEN landscape architects, for a streetscape and underpass project adjacent to the new arena, and to create a new gateway to the wonderful Hargreaves-designed waterfront.  More to come on this as we move through the concept phase.

Back to New York City for a breath of metropolitan air, I gave a presentation to the Professional Lighting Design Association on LightMapping on November 18th, then off to Boston to speak on a panel for Build Boston.  I joined fellow Society for Design Administrators on a panel; Business Manager – Hire, Fire or Inspire on the 19th of the month.

Lightmapping NYC-Shades of Night Study

Hopped on Amtrak, for another weekend home in the Big Apple, leaving in the wee hours Monday, November 23rd to travel to Fort Worth, Texas for a feasibility study presentation for Starry Trail Crossing, Light Projects’ new commission for a public art sculpture to be integrated on the replacement bridge at West Seventh Street.

Upon return to New York City, Interior Design Magazine informs that Light Projects’ colorful infrastructure project, Triple Bridge Gateway has been selected for a Merit Award (an outdoor luminous room?). Recipients and friends congregated at the swanky party held at the Guggenheim Museum on December 3.

Jewel-Light Luminaire (TM)

Coming soon, Wednesday, December 9th, the Jewel-Light Luminaire (TM) launch.  Culminating a four year development of an LED globe lighting fixture, Leni Schwendinger Light Projects has teamed up with Lighting Science Group to commercialize the product.  I envision these pearls-with-diamonds-inset on bridges, towers, building tops – creating sparkling joyful environments – whether infrastructural or architectural.

Next… bring on the holidays!

Downtown central Dallas is being recast.

spectrascape01

Traditionally, the city center has been associated with such iconic non-residential structures as Neiman-Marcus’ flagship store, the once- flamboyant Statler-Hilton building and the “Old City Hall” notorious for Jack Ruby’s slaying of Lee Harvey Oswald. DOWNTOWN DALLAS, a business improvement district, has been formed, and buildings heretofore industrial and commercial, such as the moderne-style Mercantile, formerly a bank building with radio transmitter and an illuminated clock tower, have been renovated for housing.

SpectraScape rendering and color palette

SpectraScape rendering and color palette

I worked closely with the park designer, Thomas Balsley, to develop the park’s lighting scheme so a subsequent public artwork commission was a natural progression which built on my understanding of the uses and types of park visitors.  University of North Texas’ law school is slated to move into the Old City Hall and I envisioned students with laptops and law books as primary park visitors.

Inverted “L” shaped green, glass shade-structures were designed by the architect to stand along the edge of Main Street. The structures are set off by a long triangle of seasonally planted, colorful striated gardens.  I thought of the structures “study carrels”, envisioning a light that might switch on when students or other visitor entered for reading during warm Texas evenings.

Using the color and stripes of the gardens as a launch point, I envisioned sleek lines of light integrated into the shelters’ edges.  Narrow bands of animated stripes, viewed in series will attract passersby.

Light Projects’ Design Manager, Ute Besenecker, has been instrumental throughout the design and implementation process and we have worked closely with interactive designer Ed Purver for programming.

Thus SpectraScape was conceptualized.

Here, a full sized mock up is presented on a warm evening, July 31, 2009. (See low-resolution movie)

Mock-up July 31, 2009

Winter (left) / Summer (center-left) / Autumn (center-right) / Downtown Dallas neighbors viewing

A bonus; the dynamic, luminous lines are visible day and night, adding a moth to flame effect from afternoon into the night.

Triple Bridge Gateway was honored by the Society For Environmental Graphic Design’s MERIT AWARD on May 30, 2009.

To learn more, join Leni Schwendinger, Light Projects LTD and Henry Stolzman, PKSB Architects, at the Architectural League’s lecture series New York Designs: Public on June 4th.

All Images by ArchPhototb_0202tb_0103tb_0701

Joan Grubin explains "Portal" to Leni

Joan Grubin explains "Portal" to Leni

I love the Mid-Manhattan Library on West 40th and Fifth Avenue, the poor  cousin to the 1911, iconic lion flanked  and landmarked white-marble Beaux-Arts revival Research Library building, across the street… which at times is referred to as the Humanities and Social Sciences Library, and more recently as the Stephen A. Schwarzman Building designed by Carrère and Hastings.

The Mid-Manhattan Library, the destination of many a 4th floor  picture research foray,  is a limestone and granite building built in 1915.   In 1961 New York Public Library set its sights on 455 Fifth Avenue, and in 1970, the Mid-Manhattan officially opened — on the fourth through sixth floors above the The Arnold Constables Department Store.   In 1982 Mid-Manhattan took possession of the entire building, renovated by Artist/Architect Giorgio Cavaglieri. Today Mid-Manhattan  houses the largest circulating and reference collections in NYPL’s branches.

On Thursday early evening, the Light Projects staff and I walked over to the library, through Bryant Park, to visit Joan Grubin’s “Portal“, a perception-popping window installation.

grubin-image

Joan’s work is an adventure of paper, paint and light.  Her studies in reflection and texture have, in these public pieces, literally and optically deepened – the color and cut-outs lead the viewer to assume spatial relationships that change depending on vantage point and ambient light.

As we approached the library, the Portals glowed strongly, activated by the new 1 Bryant Park building as it reflected its urban beam of light onto the paper works.

Why worship?  Several years ago, arms filled with books and videos, I asked the clerk, “How many books may I check out”.  She answered sweetly, “As many as you need”.  It was then I fell in love with this generous mecca on Fifth Avenue.

Public Art New York

Jean Parker Phifer, author and Francis Dzikowski, photographer have published a useful and inspiring guide to permanent public art in NYC.

Light Projects’ illumination of the Coney Island Parachute Jump is presented with a beautiful magic-hour photograph.

…the iridescent lighting keyed to the seasons of the year and to special holidays has renewed the neighborhood’s appreciation of its delightful and colorful past.

The project brings renewed focus and artful celebration to a previously neglected remnant of recreational infrastructure.

The book is located in bookstores near you or on Amazon.

A Spatial Portrait - Site

In 2005, New Jersey’s waterside Liberty Science Center’s Great Hall building design was substantially underway. A revitalized science mission, education and exhibitry had been developed as well as a new entry lobby for the museum.

Liberty Science Center’s curator and architect had a temporary site set aside for public art: a large wall over the ticket counter. They had envisioned a two-dimensional digital artwork.

My response to the Liberty Science Center challenge was to “pull” the artwork location off the wall and into the spatial environment A Spatial Portrait - Detail 2of the new Science Court.

Supported by Light Projects’ staff industrial designer Courtney Hewitt and architect Ute Besenecker, my studio commenced concept brainstorming and three-dimensional virtual modeling. I envisioned an active hybrid of art, science and play—typified by Picasso’s portrait of Dora Marr, the Eames 1961 exhibit, Mathematica: A World of Numbers—especially the ping-pong balls of probability and Qubic, the 1970’s transparent dimensional checkers game (a layered set of clear Plexiglas boards upon and through which three-dimensional Tic-Tac-Toe was played). The Picasso portrait is an amalgam of various views and cubistic stacking of the subject. Analogously, we intended to expose the visitor’s figure through a fragmented pixilated display. Through random movement of objects the Eames’s probability exhibit demonstrated an expected result of probability, inspiring me to utilize probable visitor traffic patterns in our own interactive artwork.

Mathematica Exhibit  1961

Mathematica Exhibit 1961

Ed Purver, an interactive video designer, came on board to add a rich new layer of possibility. From here, we were able to communicate our ideas of interaction, color palette and spatial form and see them come to life.

Reflecting upon and reinterpreting the Liberty Science Center’s doctrine that every person’s actions affect everyone else on the planet—and conversely how global changes affect each one of us—the installation captures the movement of every visitor as they circulate throughout the Science Court. The composite of multiple visitor movements creates an ever-changing, three-dimensional “spatial portrait” suspended in the mid-space of the Court, eleven feet above the floor. From multiple positions in the Court, sensors and video cameras track visitors’ movements. Through digital processing and switching, this information is translated and transformed into the artwork.  In sections, floating from the ceiling, hangs 108 strands of eight-foot LED-light pendants—a dazzling show of light in real time, with each and every visitor contributing an element to the spatial portrait.

The information displayed in the LED array consists of three different programming concepts each offering a different interpretation of the movement in the Science Court. These concepts are defined in the following ways:

Dora Marr  Pablo Picasso, 1941

Dora Marr Pablo Picasso, 1941

Figurative The figurative concept marks the entry of visitors into the Science Court. Visitors’ colors, shapes and movements are captured by avideo camera at a designated area close to the main entrance. This visual information is pixilated, reassembled and fed into the LED array—and is viewable from multiple vantage points in the Court. Like a three-dimensional mirror of light, the interacting visitors and other occupants of the space may view a low-resolution depiction of their actions displayed in real-time. As they gather, perform and playswirling a scarf, waving hands, dancing around with friendsthe visitors interact with and alter their oversized representation in the spatial field. The figurative concept is the dominant program and continues to be active as long as there are people standing in the designated location interacting with the camera.

Qubic  Parker Brothers 1960-70’s

Qubic Parker Brothers 1960-70’s

Diagrammatic The diagrammatic concept celebrates the passing of time and movement in the Science Court. Cameras positioned around the LED array track visitors’ presence throughout the Court’s monitored area. As people move through the space, their progress is tracked—drawn into the spatial field above and represented in two preselected colors, orange and white. Through digital comparison of the crowd-circulation patterns and associated X-Y coordinates, visual data from the floor is scaled down to the smaller size of the artwork’s display field and extruded up into the sculpture. Vivid bursts of color are displayed in the LED array when people cross paths during a set period of time. The content of this colorful burst consists of processed pre-recorded video of the Hoberman Sphere cycle—a kinetic sculpture suspended nearby. Added sparkle originating in the video’s inherent fractal noise energizes the resultant visual sequence.

Quiet Time
Whereas the figurative program celebrates the visitors’ entry into the space and the diagrammatic program celebrates their movement throughout the space, the Quiet Time program celebrates the sculptural dialogue with the Hoberman Sphere located nearby. During the quiet moments, as the Science Court awaits its next round of visitors, the LED spatial array displays the expansion and contraction of the Hoberman Sphere. Through pre-recorded black and white video of the Sphere—shimmering with the variegated color palette—the imagery reinforces the quietness of the space by visually resonating in concert with the Sphere.