A launch to the season of golden slanting sun and naturally tinting leaves, here is a seasonal selection of commentaries voted the best at Light Project studio — a visually warm celebration of the coming cool weather.

It’s autumn in New York, The gleaming rooftops at sundown, Oh Autumn in New York, It lifts you up when you run down.  Glittering crowds and shimmering crowds, In canyons of steel, They’re making me feel – I’m home.

Leni Schwendinger's NightSeeing™ / Livable Cities, LyonLivable Cities: Walk with me in Lyon through magenta-pink immersed streets

Fête des Lumières; a NightSeeing™ LightWalk in Lyon

Leni Schwendinger stands by the Triple Bridge Gateway (for Dwell Magazine)

An interview about urban lighting of our city as room, the body; home to the heart. 

As You Light It: Dwell Magazine Video and Leni Schwendinger


Sackler Center, Brooklyn Museum; Judy Chicago's Dinner Party. Light Projects worked closely with Ennead architects.

2009 AIANY Design Awards include Brooklyn Museum’s Sackler Center

This interactive light/art/science sculpture is an public outreach artwork created to explain gravity.

Astronomy’s New Messengers: Listening to the Universe with Gravitational Waves

Publicolor is our favorite non-profit. We illuminate their benefit in a high-school gym annually.

Publicolor, Color is Energy

HTO Park and Bryant Park, two great urban public spaces.

Accolades and Finales (and the Winter LightWalk)

Triple Bridge Gateway, Manhattan

Light Projects objective: transform neglected infrastructure in our urban nighttime environments

Triple Bridge Gateway: Award and Lecture

Which is your favorite Leni Schwendinger, Fusing Art + Design with Light post?

Public Art at Main Street Garden Park:

SPRING Lights Change to SUMMER

SpectraScape, the public art installation comprised of video bands of light that scroll across the green glass shelters at Main Street Garden Park will shift from the spring colors – hot pinks and white – to summer soft pink, lavender and yellows – on June 21, as the Summer Soltice transpires. On Tuesday evening viewers will see a dynamic media transmission echoing the summer landscape of the garden park.

Preliminary Video Color

DESIGN PROCESS: Preliminary Spring to Summer colors.

Here, a silent film of the design and construction process:  SpectraScape – an Interactive Artwork Under Construction.  The project progressed from construction to video and seasonal programming, shown in this short video: SpectraScape – On-site Programming. In the end, a crowded and joyful opening event included my talk on Dallas Main Street Garden Park – Ribbon Cutting.

Video Color Refinements

DESIGN PROCESS: Spring to Summer color refinements. Final video pixel proportions and color distinctions

SpectraScape, inspired by the colors of the seasonal foliage in Main Street Garden Park, interacts with park visitors when they enter the green glass shelters.  The horizontal scroll of color freezes as interior lights illuminate the shelter space when visitors step in.

The presentation of Spring in SpectraScape is best viewed just after dusk, which is clearly identified by the white color bands that identify the 30 minutes of sunset before resuming with the seasonal rhythmic flash of color that races across the top of the shelter.  This work inhabits the City’s first urban park landscape in central Dallas, Main Street Garden Park located between Commerce and Main and St. Paul and Harwood streets.

Leni Schwendinger

With over twenty years of work as both lighting designer and public artist, Leni has developed her lighting philosophy and in doing so, has refined the possibilities for light in the urban environment.  She has been the recipient of numerous professional awards, including several “Lumen” awards from the Illuminating Engineering Society, the Society for Environmental Graphic Design and the NYFA Fellowship for emerging and media art.

The City of Dallas Office of Cultural Affairs (OCA) works to enhance the vitality of the City and the quality of life for all Dallas citizens by creating an environment wherein arts and cultural organizations can thrive so that people of all ages can enjoy opportunities for creative expressions and the celebration of our community’s multicultural heritage. Our mission is to establish a cultural system that ensures that ALL Dallas citizens and visitors have an opportunity to experience the finest in arts and culture.  More information on the programs and services provided by the OCA can be found at www.dallasculture.org.

Links to other media about SpectraScape and the design process at Dallas Main Street Garden Park

SHADINGS is a hybrid work by composer Laura Elise Schwendinger

and lighting artist Leni Schwendinger.

Playing It UNsafe Concert Friday, March 4 2011 at 7:30pm

View the video! Playing it UNsafe Composer Journeys: The Schwendingers

In 1993 Leni undertook a photographic research project in Japan, an exploration of ephemeral architecture and the “kare sansui”; Buddhist dry landscapes.  Her medium, the short-lived black-and-white Polaroid transparency film, enhances the fragile atmosphere of her subject – ritual gardens and ever-changing earthen construction sites. The photographic slides were processed on the spot in Japan by a hand-powered, mechanical-cranked processing machine.

Leni Schwendinger’s image montage, inspired her cousin, Laura Schwendinger, to create an orchestral world of shimmery sounds and intense dramatic orchestral shadings for the American Composers Orchestra. The orchestral colors reflect the duality present in Leni’s images. These include rich pearlescent tones, in shades of grey, found in the scenes of the serene Japanese rock gardens, as well as those found in darker more intense industrial images taken at nearby building sites. The duality presented in the projections, are reflected in the musical score’s two personas.

These seemingly different qualities are intrinsically connected by the visual relationship of the two visual worlds. The tones of light, dark, grey and shadow, as well as the shapes present in both worlds, those of the gardens and of the industrial scenes, seem to carry the same mystery of geometry and space. In SHADINGS, Laura Schwendinger explores these connections and duality in an orchestral soundscape that attempts to amplify the beauty and wonder of Leni’s delicate and sensitive eye.

The music will be completed only in the presence of the lighting and vice-versa. Unlike other recent multidisciplinary forays, this work seeks to be a true collaboration between these two artistic mediums, offering a door to a possible synesthetic connection between the two approaches, combining two different levels of perception – aural and visual.

CultureNow is focused on cultural mapping and exhibitions about New York City. They called the other day and asked if I would talk about my work for their “Museum Without Walls” directory of podcasts.  The collection consists of first person discussions of art, architecture and other landmarks in the City.

Here are links to the podcasts:

Tidal Radiance

Tidal Radiance sculpture at Port Pavilion at Broadway Pier

Tidal Radiance, concept, custom glass, lighting design, projections

Coney Island Parachute Jump

Coney Island Parachute Jump Illumination

Coney Island Parachute Jump Illumination

Triple Bridge Gateway

Triple Bridge Gateway, Manhattan

Triple Bridge Gateway; concept, color, illumination

Dreaming in Color,

a Three-Dimensional Color Field

Dreaming in Color

Dreaming in Color, concept, materials, illumination

Imagine a non-profit’s gala fundraiser where the well-dressed and a population of dedicated black youth mingle with designers and artists guiding team paintings!

Notable guests included Mayor Bloomberg, his companion Diana Taylor and Planning Commissioner Amanda Burden

This living picture is reenacted every year for the annual Publicolor Stir Splatter + Roll party, silent auction and dinner to raise money to “engage disaffected teenage students in their education by involving them in adding color to all the public spaces in their schools”.

Light Projects has been contributing to this worthy and inspiring non-profit event for the last 10 years by designing the lighting for the gala and leading a team painting process.

Please consider joining us next year, read up on the programs and results of the Publicolor organization.

Benefit chandeliers with construction string lights and hula hoops transform the gym into an intimate space for dining!

Special thanks Light Projects’ Kristi Kent for creating our painting design, Joseph Legros for coordinating and painting and Eric Chenault for lighting design support.  Also to Mark Barton, friend of Light Projects, for on-site lighting focus.

March 18th 2010:

Crains New York Business announced,

Skidmore Owings & Merrill selected to design first phase of work to convert Farley Post Office into a new train station.

The project received $83.3 million in funds from the federal American Reinvestment and Recovery Act last month.

From the Regional Plan Association website; Moynihan Station Project Timeline

Senator Daniel Patrick Moynihan first articulated his vision for a great new Penn Station in the landmark Farley Post Office building in the early 1990s.

1993: Amtrak unveils architectural plans for overhauling the Farley Post Office building into a grand new Penn Station, an idea first advanced by then-Senator Daniel Patrick Moynihan. The central court of the Farley building would be transformed into a new concourse for Amtrak intercity passengers. This plan is possible because the Postal Service has announced that it is moving mail-processing work out of that building.

November 20th 1993:

Brooklyn Academy of Music held their gala in the James A. Farley Post Office.  I was commissioned to create a decor of light on the exterior of the colonnaded, grand staircase entry of architects McKim Mead and White’s building.

Public Dramas/Passionate Correspondents

Picture Research for "Public Dramas/Passionate Correspondents"

Public Dramas/Passionate Correspondents, a projection sequence of more than thirty glass slides and Mylar paintings, encompassed the two-block long classical facade of Manhattan’s main post-office.

Public Dramas/Passionate Correspondents

"Public Dramas/Passionate Correspondents", two moments in the projection sequence

An exploration of the building and its role as a “civic stage”, the primary images were paintings of dense colorful theatre curtains – rising and falling, and expanding… ever opening… horizontally rotating around the columns and brushing the grand stair. Other images played in the six-minute montage; 30′ postal workers, a love letter, maps and mail sorting bags.

On that windy, bitter cold night gala attendees such as Leontyne Price, Lou Reed, Laurie Anderson, Tom Waits, Susan Sontag and Annie Leibovitz rushed up the Postal steps in the swirl of projected light.

Public Dramas/Passionate Correspondents

Hand-painted projections: theatre curtains and Bryant Park chairs

Little known colliding cultural facts appear on the surface of the grand building, for one, the inscription: Neither snow nor rain nor heat nor gloom of night stays these couriers from the swift completion of their appointed rounds is not an official motto of the U.S. Postal Service but an abbreviated quote from ancient Greek historian Herodotus describing Persian postal messengers. A Mr. Mitchell Kendal from McKim, Mead and White is said to have selected it for the NYC building.  The inscription itself was carved by Ira Schnapp;  stonecutter, engraver, and graphic designer from Austria who would later design logos and lettering at DC Comics!

An aficionado of the Manhattan landscape who has written for such diverse publications as Public Art Review and New York Magazine, Mark Kramer has observed, “With possible exception of the Park Service, the Post Office is for most Americans the most beneficent face of the Federal Government”.  The long lines of customers at holiday time, tax return deadlines, grant application due dates are still a zone of frenzied activity, but sadly, the once proud 24-hour Post Office has reduced its hours, Mon-Fri 7:00am-10:00pm; Sat 9:00am-9:00pm, and Sun 11:00am-7:00pm.  Electronic communications have replaced the pen, paper and envelope.

Original Penn Station

May 1962, Original Pennsylvania Station - across the Avenue from Farley Post office

From 1910 to 1961 the Post Office mirrored the imposing Pennsylvania Station on Eighth Avenue.  Now, the building is poised to shed its identity as the civic portal of written communication and fulfill the role of transportation hub.

The renderings of the “New Penn Station” are eloquent, modern and airy within the confines of the old Farley P.O.

The Public Dramas/Passionate Correspondents glass slides lie dormant in archival boxes, ready to adapt and re-install as a celebration of the refreshed civic facade and center of activity – Moynihan Station.

PUBLIC ART AT MAIN STREET GARDEN PARK

WINTER LIGHTS CHANGE TO SPRING


SpectraScape, the Public Art installation comprised of video bands of light that scroll across the green glass shelters at Main Street Garden Park will shift from the winter colors – green and white – to spring on March 20, as the Vernal Equinox transpires. On Saturday evening viewers will see pink tones of light that celebrate the spring landscape of the garden park proclaiming the end of winter.

SpectraScape, inspired by the colors of the seasonal foliage in Main Street Garden Park, interacts with park visitors when they enter the green glass shelters.  The horizontal scroll of color freezes as interior lights illuminate the shelter space when visitors step in.

The presentation of Spring in SpectraScape is best viewed just after dusk, which is clearly identified by the white color bands that identify the 30 minutes of sunset before resuming with the seasonal rhythmic flash of color that races across the top of the shelter.  This work inhabits the City’s first urban park landscape in central Dallas, Main Street Garden Park located between Commerce and Main and St. Paul and Harwood streets.

Leni Schwendinger

With over twenty years of work as both lighting designer and public artist, Leni has developed her lighting philosophy and in doing so, has refined the possibilities for light in the urban environment.  She has been the recipient of numerous professional awards, including several “Lumen” awards from the Illuminating Engineering Society, the Society for Environmental Graphic Design and the NYFA Fellowship for emerging and media art.

The City of Dallas Office of Cultural Affairs (OCA) works to enhance the vitality of the City and the quality of life for all Dallas citizens by creating an environment wherein arts and cultural organizations can thrive so that people of all ages can enjoy opportunities for creative expressions and the celebration of our community’s multicultural heritage. Our mission is to establish a cultural system that ensures that ALL Dallas citizens and visitors have an opportunity to experience the finest in arts and culture. The OCA is advised by an 18-member Cultural Affairs Commission appointed by the Dallas City Council. The OCA manages the city’s Cultural Contracts, Neighborhood Touring and Public Art Programs; oversees six cultural centers including the Bath House Cultural Center, Latino Cultural Center, Morton H. Meyerson Symphony Center, Oak Cliff Cultural Center (opening in 2010), and South Dallas Cultural Center; and operates the city’s classical music radio station, WRR101.1FM. More information on the programs and services provided by the OCA can be found at www.dallasculture.org.

Links to media about SpectraScape and the design process at Dallas Main Street Garden Park